WIPO中国：共筑AI时代音乐版权生态 聚焦创作传播与知识产权保护

WIPO China: Building a Music Copyright Ecosystem in the Age of AI — Spotlight on Creation, Dissemination, and IP Protection

北京，2025年4月8日-世界知识产权组织中国办事处与中国音像著作权集体管理协会合作举办从创作到传播：构建人工智能时代的音乐版权生态——“4·26世界知识产权日”主题交流活动。产权组织中国办事处主任刘华、中宣部版权管理局副局长汤兆志出席活动并致辞。

Beijing, April 8, 2025 - The WIPO Office in China (WOC), in collaboration with the China Audio-Video Copyright Association (CAVCA), co-hosted a thematic event titled “From Creation to Dissemination: Building a Music Copyright Ecosystem in the Age of Artificial Intelligence”, as part of the 2025 World Intellectual Property Day celebrations. The event featured opening remarks from Ms. Liu Hua, Director of WOC, and Mr. Tang Zhaozhi, Deputy Director General of the Copyright Department of the Publicity Department of the CPC Central Committee.

图：CAVCA | Photo: CAVCA

刘华在致辞中表示，当前世界正在经历百年未有之大变局，"数字时代"和"深层科学"两大创新浪潮成为塑造国际格局的关键因素。在这个时代变迁发展的关键节点，讨论2025年世界知识产权日的主题“知识产权与音乐”恰逢其时。她提到产权组织总干事邓鸿森近期访华时，提及中国《黑神话：悟空》、《哪吒2》等文化创新成果，并强调中国在PCT体系、海牙体系及马德里体系中的全球领先地位，创意产品出口更位居世界首位。此外，中国有5个视频作品入围世界知识产权日青年视频竞赛全球前20名，她呼吁更多青年积极参与这一奖项。

In her remarks, Ms. Liu noted that the world is undergoing profound transformation on a scale not seen in a century, with two major waves of innovation, "Digital Era" and "Deep Science", reshaping the global landscape. At this critical juncture of epochal change, the discussion of the 2025 World IP Day theme, “IP and Music,” is both timely and pertinent. She highlighted WIPO Director General Daren Tang's recent visit to China, during which he acknowledged China’s cultural innovation achievements, including Black Myth: Wukong and Ne Zha 2, recognized China's leading position in the PCT, Hague and Madrid Systems, and noted China's status as the world's top exporter of creative products. She went on to emphasize that five video entries from China were selected among the global top 20 in the 2025 World Intellectual Property Day Youth Video Competition, encouraging broader youth participation in this initiative.

刘华强调，未来产权组织中国办事处将继续在五个重点方向为大家提供赋能支持：一是推动中国各方参与产权组织全球前沿科技对话会；二是讲好中国知识产权故事；三是持续优化产权组织数据库和服务体系；四是促进国际交流与合作；五是鼓励大家使用产权组织学院、WIPO for Creators、CLIP等平台为自己赋能。

Ms. Liu outlined that WIPO Office in China will continue providing enabling support across five key priorities: (1) promoting participation of Chinese stakeholders in WIPO's Global Conversation on IP and Frontier Technologies; (2) disseminating China's IP best practices globally; (3) optimizing WIPO's database systems and service platforms; (4) leveraging WIPO's cooperation mechanisms to deepen international partnerships; and (5) encouraging use of WIPO Academy, WIPO for Creators and CLIP platforms for capacity building.

图：CAVCA | Photo: CAVCA

汤兆志指出，面对人工智能等新技术带来的变革，集体管理组织需把握机遇、应对挑战，通过运用人工智能、大数据提升管理效能，构建现代化管理秩序；同时强化公共服务职能，保障各方合法权益，提供更多优质作品；并加强国际交流，共享新技术成果，共同推动全球版权事业创新发展。

Mr. Tang emphasized that CMOs must seize new opportunities and address emerging challenges in light of the transformative impact of emerging technologies such as AI. This includes leveraging AI and big data to enhance management efficiency and establish a modern governance framework. At the same time, CMOs should strengthen their public service functions to safeguard the legitimate rights and interests of all stakeholders and to deliver more high-quality works. He also called for deeper international cooperation to share the benefits of technological innovation and to jointly advance the global copyright landscape.

米歇尔·艾伦 Michel Allain

张晶 Zhang Jing

冯刚 Feng Gang

图：CAVCA | Photo: CAVCA

在随后的主题演讲环节，产权组织版权和创意产业部门版权管理司版权信息技术经理米歇尔·艾伦指出，流媒体虽成为音乐产业核心收入来源，但海量数据处理、版权精准分配等挑战凸显。国际作者和作曲者协会联合会(CISAC)北京代表处首席代表张晶警示，AI生成内容或致创作者收入锐减（音乐领域预计下降24%，视听领域达56%），呼吁立法明确训练数据授权规范。北京知识产权法院审判监督庭庭长冯刚从司法角度提出，人工智能创作物应纳入著作权保护体系，但保护标准需低于人类创作作品以维平衡，同时需厘清训练阶段的版权合规边界。

During the keynote session, Mr. Michel Allain, Copyright IT Manager of Copyright Management Division of WIPO’s CCIS, noted that while streaming has become the primary source of revenue for the music industry, challenges remain in processing large volumes of data and ensuring accurate copyright distribution. Mr. Zhang Jing, Chief Representative of International Confederation of Societies of Authors and Composers (CISAC) Beijing Office, warned that AI-generated content could lead to a sharp decline in creators' income—by an estimated 24% in music and up to 56% in audiovisual sectors—and urged for legislation to clarify authorization requirements for AI training data. Mr. Feng Gang, Chief Judge of the Judicial Supervision Division of Beijing Intellectual Property Court, advocated for including AI-generated works within the copyright protection system, albeit with a lower threshold than human-created works, and stressed the importance of clarifying copyright compliance boundaries during the training phase.

李陶 Li Tao

郭春飞 Guo Chunfei

邹小曼 Zou Xiaoman

图：CAVCA | Photo: CAVCA

中央财经大学法学院副教授李陶分析欧盟经验，建议通过行业分析、许可协议优化及诉讼维权等路径应对AI音乐挑战，强调权益分配透明化。北京市文化娱乐法学会音乐法律专业委员会主任郭春飞提出构建"AI训练数据收益共享"机制，主张通过法定许可或获酬权保障非会员权益。看见音乐联合创始人、首席运营官邹小曼则倡导"保护+引导"并重，既需完善AI侵权认定标准，亦应探索AI辅助创作、版权共享等创新场景，推动技术赋能与行业规范的良性互动。

Mr. Li Tao, Associate Professor from the Central University of Finance and Economics School of Law analyzed the EU’s experience, suggesting that the AI-music challenge could be addressed through industry analysis, optimized licensing agreements, and rights enforcement. Ms. Guo Chunfei, Director of the Music Industry Legal Committee of the Beijing Culture and Entertainment Law Society, proposed establishing a revenue-sharing mechanism for AI training data and advocated for statutory licensing or equitable remuneration to protect the rights of non-members. Ms. Zou Xiaoman, Co-founder & Chief Operating Officer of Kanjian Music, called for a dual approach of “protection and guidance”, including clearer standards for determining AI-related infringements, as well as exploring innovative use cases such as AI-assisted creation and copyright co-ownership, to promote a virtuous cycle between technological advancement and industry regulation.

图：CAVCA | Photo: CAVCA

中国音像著作权集体管理协会副理事长兼总干事周亚平在总结发言中强调，人工智能创作的音乐作品已成为客观现实，并具备作品的特征。然而，由于人工智能不是自然人，因此产生了“谁是作者”和“谁是著作权人”的法律难题。他建议采用标注方式来识别人工智能创作的作品，并通过集体管理组织将传播收益的大部分分配给为人工智能提供素材的著作权人，以实现各方利益的平衡。周亚平还呼吁制定专门针对人工智能的法律法规，以适应技术发展和保护各方权益。

In his concluding remarks, Mr. Zhou Yaping, Vice Chairman and Director General of CAVCA, stressed that AI-generated musical works have become an undeniable reality meeting all criteria for copyright protection, while highlighting the legal complexities surrounding authorship and ownership due to AI's non-human status. He proposed implementing content labeling systems to identify AI-generated works and establishing royalty distribution mechanisms through CMOs that would primarily benefit copyright holders whose works were used as AI training data, thereby ensuring equitable benefit-sharing. Mr. Zhou further emphasized the urgent need for specialized AI legislation to both foster technological innovation and safeguard the rights of all stakeholders in this evolving landscape.

近百名来自政府部门、国际组织、行业协会和音像著作权集体管理协会会员单位的代表参加了本次研讨会。

The seminar was attended by nearly 100 representatives from government agencies, international organizations, industry associations, and members of the CAVCA.